The Cinema Makers E. H. Steiner

The Cinema Makers E. H. SteinerThe Cinema Makers investigates how cinema spectators in southeastern and central European cities became cinema makers. Drawing on interviews with cinema activists in Germany, Austria and the former Yugoslavia, Anna Schober illuminates the differences and similarities in the development of political culture and cinemas role in that development.

Teaching Actors is the first book-length treatment of how actor trainers work and understand their work

the church yard was in a lonely place

Through other voices

from the Latin American Newsreel to avant-garde experimental work

The manuscript

Polish Media Art demonstrates how artists are using and reflecting upon technology as a way of entering into larger civic conversations around the politics of identity

Eliot’s The Waste Land (1922) and William Carlos Williams’ Spring and All (1923)

Campbell Edinborough draws on sociological theory

close analysis and social history to celebrate a golden age for UK film

Para-academic is a name for those under- and precariously employed

In telling the story of Jacob through the perspective of the characters he encountered through his short life

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