The Medieval Dagger Dwight F. ReynoldsGuy Windsor presents a complete guide to Italian dagger combat, as set down in Il Fior di Battaglia, a manuscript written in 1410. Readers are guided through the processes of this six hundred year old art, from guard positions to steps and turns; from disarms to locks and takedowns; from safe falling practice to formal drills.
generating funding and how to do more with less
so commonly associated with discussions of AI
these translations provide important insight into this under-explored area of Polish dramatic history and practice and facilitate greater understanding of its role in the development of European theatre
David Herd sets out to provide readers with a new critical language through which they can appreciate the beauty and complexity of Ashbery’s writing
Kidd argues that emergence of Labour politics in southern England represented the renewal of the working-class radical tradition
David Ian Rabey brings in sources ranging from medieval and Renaissance theatre to contemporary performances to analyse ways that time can be presented
ideological and geopolitical implications of music production and consumption
locating him as a playwright
Offers sustained anaysis of many of the texts reproduced in Procter's anthology Writing black Britain 1948-98 ( MUP
the reasons for and extent of its emergence
and he returns to London only to be sent off to the war
is appropriately comprehensive
