The Biopolitical Turn in World Cinema Cynthia Ann HumesExplores biopolitical currents in world cinema, paying particular attention to postsocialist and postrevolutionary filmmakers from Iran, Russia, China, and Romania. The Biopolitical Turn in World Cinema explores how cinematic form and content understand and represent relationships of power between the state and life itself. Cinema, it argues, is both technical apparatus and aesthetic object and as such is imminently biopolitical, both as a medium of
and philosophy is examined from three perspectives: the reconsideration of the importance of context in psychology
a grave is disturbed revealing a skull buried a century earlier
Reorganization of material to better highlight the roles of theory and the major philosophical perspectives in knowledge development
the heroine hopes to protect her loved ones from the looming threat
charms diverse in their forms
This handbook is useful for identification of eggshell from a variety of wild and domestic birds
Sherry Ahrentzen
Captain Walker meets a beautiful young woman named Morgiana Crump
It focuses on the tension between Biblical and Qur'anic models as revealed in Islamic texts describing contacts between the Muslims and the "Children of Israel"
this scholarly yet practical text prepares RN-BSN
and smears from non-gynecologic and non-urinary sites
The first exploration of vegan Irish epistemology
