Buselik Saz Semaisi for lever harp - anon. transcribed by Şirin Pancaroğlu Double bass

Buselik Saz Semaisi for lever harp - anon. transcribed by Şirin Pancaroğlu Double bass"Buselik Saz Semaisi" is a piece whose composer is unknown. Here, the melodic character suggests that it is likely to have been composed during the seventeenth century. The piece makes use of motivic patterns typical of the buselik makam. In the first and second parts of the piece, flavours of the huseyni makam can also be heard as an element of surprise. The C natural used on the approach to the first degree of the scale is another characteristic of

from the Sunday services conducted by his father

karar sesi as it is referred to in Turkish music

Lyrical pieces demand tonal beauty

The lever system offers many advantages over the pedal system including the opportunity to employ chromatic possibilities that would otherwise be impossible

The piece features melodies associated with the lyrical aspects of the nihavend makam and a frequent use of the intervals of second

The songs include a Christmas lullaby

Play the frenzied wild Tornado or indulge in the laid back contemplative mood of Quiet Cove

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at her Carnegie Hall debut recital

extending his reach from the distant past to present times

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It is often suggested that the twenty-seven works credited to him may actually belong to a more modern composer based on the fact that his opus seems ahead of the period in which he lived