Robert Frank's 'The Americans' SOCIAL SCIENCE / Criminology

Robert Frank's 'The Americans' SOCIAL SCIENCE / CriminologyIn the mid 50s, Robert Frank embarked on a ten thousand mile road trip across post war America, capturing thousands of photographs that resulted in The Americans, which represents a seminal moment in both photography and in America's emerging understanding of itself. Jonathan Day revisits this work and contributes a thoughtful critical commentary.

as well as the contemporary hit Amélie by Jean-Pierre Jeunet

The Architecture of the Screen examines the relationship between the visual language of film and the onscreen perception of space and architectural design

policymaking

China’s desire for success and fulfilment in the United States

Drawing on interviews with cinema activists in Germany

what other languages do women making theatre use

Russian Ark drew astonished praise for its technique: shot with a Steadicam in one ninety-six-minute take

cultural history

The times when architects and other designers embarked on the solitary process of developing a design are long gone

Moving far beyond predominant views of Africa as a place to be 'saved'

the city’s 'theatrical geography' is uncovered

interactivity and digital broadcasting